Postal Blues (Joe Johnson Book 2)

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The material in the book can be applied to any type of harp with or without pedals and any type of music. Expand your guitar knowledge with the Guitar Lesson Goldmine series! All twelve songs from the album that kick-started the British Blues Boom, arranged for guitar in tablature and notation. First, you will learn the basic techniques needed to play blues harp, such as lip blocking, single tone, bending, the slide, tremolo, and vibrato. Then, you'll play riffs, blues harp solos, and blues rhythm chord studies--all on the C harmonica. Five String Boogie Woogie.

Behind The Eight Ball Blues. Published by Leeds Music Ltd.

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Best Of Robert Cray contains notes and tab for 16 songs from the modern blues man. Published by Amsco Publications in the US. No marking to music or creasing to spine. From the essential gear, recording techniques and historical information, to right and left hand techniques and — it's all here. Early In The Morning. Published by Wise Publications Book and CD in excellent and clean condition with very light wear to cover.

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Includes lead guitar, rhythm guitar, bass and drum parts. Very good and clean condition with no marking to music and very light wear to corners. This gives you authentic transcriptions of six of the finest tunes on this record. Every single note played by Wes is transcribed in both standard and tablature notation. On the Riverside recording Boss Guitar Wes demonstrates why he is still considered as one of the finest artists of the jazz guitar.

Also includes a special interview with Beppe and photos. The Barons of Rhythm were regulars at the Reno Club and often performed for a live radio broadcast. During a broadcast the announcer wanted to give Basie's name some style, so he called him "Count. Basie's new band which included many Moten alumni, with the important addition of tenor player Lester Young. They played at the Reno Club and sometimes were broadcast on local radio.

Count Basie

Late one night with time to fill, the band started improvising. Basie liked the results and named the piece " One O'Clock Jump. We set the thing up front in D-flat, and then we just went on playing in F. Another Basie innovation was the use of two tenor saxophone players; at the time, most bands had just one. When Young complained of Herschel Evans ' vibrato, Basie placed them on either side of the alto players, and soon had the tenor players engaged in "duels".

Many other bands later adapted the split tenor arrangement. In that city in October , the band had a recording session which the producer John Hammond later described as "the only perfect, completely perfect recording session I've ever had anything to do with". After Vocalion became a subsidiary of Columbia Records in , "Boogie Woogie" was released in as part of a four-record compilation album entitled Boogie Woogie Columbia album C By then, Basie's sound was characterized by a "jumping" beat and the contrapuntal accents of his own piano.

His personnel around included: Basie favored blues , and he would showcase some of the most notable blues singers of the era after he went to New York: He also hired arrangers who knew how to maximize the band's abilities, such as Eddie Durham and Jimmy Mundy. When Basie took his orchestra to New York in , they made the Woodside Hotel in Harlem their base they often rehearsed in its basement. Basie recalled a review, which said something like, "We caught the great Count Basie band which is supposed to be so hot he was going to come in here and set the Roseland on fire.

Well, the Roseland is still standing". The producer John Hammond continued to advise and encourage the band, and they soon came up with some adjustments, including softer playing, more solos, and more standards. They paced themselves to save their hottest numbers for later in the show, to give the audience a chance to warm up. Hammond introduced Basie to Billie Holiday , whom he invited to sing with the band. Holiday did not record with Basie, as she had her own record contract and preferred working with small combos. There were often no musical notations made. Once the musicians found what they liked, they usually were able to repeat it using their "head arrangements" and collective memory.

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Next, Basie played at the Savoy , which was noted more for lindy-hopping , while the Roseland was a place for fox-trots and congas. Basie had Holiday, and Webb countered with the singer Ella Fitzgerald. Throughout the fight, which never let down in its intensity during the whole fray, Chick took the aggressive, with the Count playing along easily and, on the whole, more musically scientifically.

Crankin' Up the 3-String Shovel Guitar!

Undismayed by Chick's forceful drum beating, which sent the audience into shouts of encouragement and appreciation and casual beads of perspiration to drop from Chick's brow onto the brass cymbals, the Count maintained an attitude of poise and self-assurance. He constantly parried Chick's thundering haymakers with tantalizing runs and arpeggios which teased more and more force from his adversary. The publicity over the big band battle, before and after, gave the Basie band a boost and wider recognition.

  1. .
  2. Count Basie - Wikipedia.
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A few months later, Holiday left for Artie Shaw 's band. Hammond introduced Helen Humes , whom Basie hired; she stayed with Basie for four years. Basie's man band began playing at the Famous Door, a mid-town nightspot with a CBS network feed and air conditioning , which Hammond was said to have bought the club in return for their booking Basie steadily throughout the summer of Their fame took a huge leap. On February 19, , Count Basie and his Orchestra opened a four-week engagement at Southland in Boston, and they broadcast over the radio on 20 February.

Dance hall bookings were down sharply as swing began to fade, the effects of the musicians' strikes of —44 and began to be felt, and the public's taste grew for singers. Basie occasionally lost some key soloists. However, throughout the s, he maintained a big band that possessed an infectious rhythmic beat, an enthusiastic team spirit, and a long list of inspired and talented jazz soloists. The big band era appeared to have ended after the war, and Basie disbanded the group.

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For a while, he performed in combos, sometimes stretched to an orchestra. He reformed his group as a piece orchestra in Basie credits Billy Eckstine , a top male vocalist of the time, for prompting his return to Big Band. He said that Norman Granz got them into the Birdland club and promoted the new band through recordings on the Mercury , Clef , and Verve labels. Basie's new band was more of an ensemble group, with fewer solo turns, and relying less on "head" and more on written arrangements.

Basie added touches of bebop "so long as it made sense", and he required that "it all had to have feeling". Behind the occasional bebop solos, he always kept his strict rhythmic pulse, "so it doesn't matter what they do up front; the audience gets the beat".

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The new band included: In , the band made its first European tour. Alexandria does it again Detectives Johnson and Brown return to the scene with more love for family and friends, more laughs, and more respect and admiration for one another. These men became my heroes! There is nothing blue about Postal Blues. The author begins distracting us with scenes of a disgruntled postal employee within the walls of the post office. Meanwhile, a serial killer is loose just outside. As each character is introduced, you will begin to feel compassion for the innocent victims, admiration for the strong men, and anger for the criminals.

The author graphically details the crimes commited against 'ladies of the evening'. As the mystery unravels, you are sure to scream with horror and even ecstasy as the author adds his sensual flavor to soften the blows and they are vicious. There are also amusing blows thrown into the mix that will surely entertain you. Alexandria makes mystery so suspenseful, romantic, and hilarious! As you read this sequel, you will experience a myriad of emotions as the author takes you on a wild rollercoaster ride - making you afraid to continue, yet afraid to stop.

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  • When you decide to read on because you can't turn back now: I highly recommend this romantic mystery! Kansas City homicide detective Joe Johnson experiences some serious postal blues when he and his partner's wife are taken hostage at Kansas City's main post office. During this hostage situation Joe discovers the very lax security at this large and important facility and sees that this is a situation that was just waiting to happen.

    After Joe saves the day at the post office, he and his partner Vernon, are teamed up with the FBI to solve the serial killings of local prostitutes. Along the way Joe and Vernon encounter old friends, temptation, and danger. Postal Blues was a very predictable and at times unrealistic book.

    The storyline started out good but the author tried to make Joe, the main character, too perfect, and that took away from the book. Reviewed by Simone A. One person found this helpful. As readers partake each sentence of Postal Blues, author Vincent Alexandria takes them on a mystical journey that will have them hungry for more.

    A serial killer is on the loose leaving police and residents baffled as to who is militating "women of the night". Detectives Vincent Brown and Joe Johnson are assigned to crack the lyrical case. You will laugh, cry and be angry with this suspense thriller filled with love, lust, self-destruction, childhood anger, the sound of music and more. Alexandria traps minds and heart as he utilizes both his literary and musical skills to dance in harmony with the readers mind.

    Do not miss out, for this electrifying piece awaits you. Keep writing Vincent - you are very talented! The writing skills of Mr. Alexandria can only be described as having been "Touched By An Angel". The characters of Detectives Joe Johnson and Vernon Brown are still very vibrant, witty and seriously taking care of Police business as the story take you from a Post Office Massacre to the Missouri River as they track down a serial killer.

    Vincent's writing visually takes you into the story and the personalities of all the characters. The humor, romance and intrigue captivates all your senses right to the climax.

    Postal Blues (Joe Johnson Book 2) Postal Blues (Joe Johnson Book 2)
    Postal Blues (Joe Johnson Book 2) Postal Blues (Joe Johnson Book 2)
    Postal Blues (Joe Johnson Book 2) Postal Blues (Joe Johnson Book 2)
    Postal Blues (Joe Johnson Book 2) Postal Blues (Joe Johnson Book 2)
    Postal Blues (Joe Johnson Book 2) Postal Blues (Joe Johnson Book 2)

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